Vol 23, N° 1 (2024)

Multipart music from social distancing to embodiment

Sommario

Articoli

Indice/Index
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Multipart music from social distancing to embodiment
Fulvia Caruso
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Overcoming social distancing: Multipart music for ear training
Anda Beitāne
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Singing ‘without’ company? Multipart music of the Ionian Islands in the time of pandemic
Giuseppe Sanfratello
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A symphony of sounds. Collaborative research in Accettura (Basilicata) before and after Covid-19
Nicola Scaldaferri, Shan Du
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Exploring Bellanöva’s musical dialogue: How oral tradition musicians can interact with musical writing and arrangements
Thea Tiramani
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The phenomenon of singing ‘face-to-face’ in the practice of Lithuanian polyphonic sutartinės songs
Daiva Račiunaitė-Vyčinienė
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Elikya Choir: Enhanced identities by compensation
Luciana Manca
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Confusing roars and changing clouds: A history of multipart alphorn music
Yannick Wey
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Researching a multipart singing tradition: The human dimension as a driving force for preservation and creativity among the vlach-aromanians of Drenova (Korça)
Mikaela Minga
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The knowledge of the body. Experiencing the space through creative listening, multipart singing and collective movements
Delia Dattilo
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«Where the old men used to sing»: Experiments in informed re-placing on the ària da nuòto of the Italian community of Rovinj-Rovigno (Croatia)
Giovanni Cestino
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Corpus analysis as a method for describing multipart folk songs: The case of the Moksha pentatonic songs
Žanna Pärtlas
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Types of folk polyphony in Ukrainian singing folklore
Marharyta Skazhenyk, Domenico Di Virgilio
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