Philomusica on-line - "Composizione e sperimentazione nel rock britannico 1967-1976", Cremona 20-22 ottobre 2006

Composition And Experimentation In British Rock 1967-1976

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Gianmario Borio / Serena Facci, Forty years after... A pluralistic musicology for British rock


The Cultural Landscape


John Covach, The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock
Franco Fabbri, Not at First Hearing. Progressive complexity in English and American bands, 1960-1967
Veniero Rizzardi, Rock and the Composer's Self-Criticism


New Instruments and New Technologies


Christophe Pirenne, Romanticism vs Economy: Technologies and the Growth of Progressive Rock
Lelio Camilleri, Loop, Transformations and Musical Space
Laura Leante, Multimedial Angles in Live Performance


Compositional Techniques


Mark Spicer, Genesis's Foxtrot
Allan Moore, Gentle Giant's Octopus
Vincenzo Caporaletti, Soft Machine's Third


Poetry and Lyrics


Dai Griffiths, Memorable Music, Forgettable Words? Dilemmas of Song in British Progressive Rock between Underground and Mainstream, circa 1972
Roberto Agostini / Luca Marconi, Voice, Melody and Lyrics in Early British Progressive Rock


WORKSHOP: Compositional Techniques in Progressive Rock Bands


Chris Cutler (Henry Cow)
Hugh Hopper (Sof Machine)
Toni Pagliuca (ex Orme)


ROUND TABLE: Compositional Techniques at Genres' Crossoroad


Mario Garuti, Like Bored Angels
Maurizio Pisati, To teach and to trace utopy
Nicola Sani


Registrazione presso la Cancelleria del Tribunale di Pavia n. 552 del 14 luglio 2000 – ISSN elettronico 1826-9001 | Università degli Studi di Pavia Dipartimento di Musicologia | Pavia University Press

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