Vol 11, N° 2 (2012)

Con la Mente e con le Mani Teaching and Learning the Art of Counterpoint on the Keyboard (1585-1671)

Atti del convegno, Smarano - Trento, 18-20 novembre 2010, a cura di Massimiliano Guido

Sommario

Premessa

Con la Mente e con le Mani Teaching and Learning the Art of Counterpoint on the Keyboard (1585-1671)
Massimiliano Guido
PDF (English) PDF (english)
1-3

Articoli

Rethinking Counterpoint through Improvisation A Multidisciplinary Conversation with Edoardo Bellotti, Michele Chiaramida, Michael Dodds, Andreas Schiltknecht, Peter Schubert, and Nicola Straffelini
Massimiliano Guido
PDF (English) PDF (english)
5-9
From Voice to Keyboard. Improvised Techniques in the Renaissance
Peter Schubert
PDF (english) PDF (English)
11-22
Organ Improvisation in 17th-Century Office Liturgy. Contexts, Styles, and Sources
Michael Dodds
PDF (english) PDF (English)
23-48
Counterpoint and Improvisation in Italian Sources from Gabrieli to Pasquini
Edoardo Bellotti
PDF (english) PDF (English)
49-61
Counterpoint in the fingers. A practical approach to Girolamo Diruta’s breve & facile regola di contrappunto
Massimiliano Guido
PDF (english) PDF (English)
63-76
Bernardo Pasquini as a Counterpoint Teacher. A Critical Introduction to I Saggi di Contrappunto (1695)
Armando Carideo
PDF (english) PDF (English)
77-84
Si suona Passacaglio. A Didactic Introduction to Improvisation in the Italian Practice of Basso Ostinato
Nicola Cumer
PDF (english) PDF (English)
85-98

Tavola rotonda

«Con varietà di bei contraponti render vaga la melodia». The Practice of Basso Continuo with the Brain and the Hands. A panel discussion with Edoardo Bellotti, Nicola Cumer, Thérèse de Goede, Mara Galassi, and Pietro Prosser
Angela Romagnoli
PDF (english) PDF (English)
99-109